a5c7b9f00b In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in.
This movie sucks. The whole story is boring and totally formulaic. The main character is totally stereotypical and there is nothing engaging about him. His dialog is uninteresting and clichéd. He wears a mask the entire movie and doesn't compensate with good voice or body acting. Natilie Portman is a quality actress and is the only half entertaining thing about this movie. Every other character is an exercise in boring stereotypes. Also, this movie is pretty long. Which makes it about 30 minutes worse than most waste of time movies.<br/><br/>I've never read the graphic novel. Hopefully it's nothorriblethis movie.
I think that the movie was really good. It makes you think what if? and I like that not a lot of movies do that today. V is also futuristic but no in the way the Matrix was. I am so enthralled with the movie that I have chosen itmy last topic speech in my college Communocations class. I think that it is high time to address some harsh topics of the past and present so that people understand why present day is what it is. V is the man! I thik that more people should go and see this movie. If you haven't read the graphic novel on V please do. It is very good and it will tell you more of V's story. I give a 10 to V for thought and good old action. Go V.
Viewers expecting a thrill ride might be disappointed. V engages in a couple of satisfying crime-fighting set pieces, but the story is more occupied with mystery and intrigue. Happily, it almost is entirely free of the hollow pomposity that marred the Wachowskis' last two "Matrix" films.
In the comic book, however, it mentions (in the Doctor's Diary), that he has eyes, and is not blind: "He looked at me todayif I were some sort of insect. He looked at meif he felt sorry for me." This is the part where the Doctor is beginning to go into more detail about him. Also, when V explodes the facility, the Doctor again mentions him looking at her, and it describes the gaze, so you would assume he has eyes, and is not blind. This is explained in an expanded voiceover of the coroner's diary that exists in the original script but was cut shorter for the final product. In it, she explains that V was allowed to tend the garden at Larkhill, where he "grows roses. Beautiful roses." Therefore, she knew it was V when she saw the rose Finch handed to her. The scarlet carsons were grown by the lesbian lover of Valerie, the actress in The Salt Flats, who wrote the autobiography on toilet paper that she passed to V during their incarceration. That autobiography inspired V to live without fear, and he used those flowersa signature for the killings he committedretribution for Larkhill. The flowers in the movie are Scarlet Carsons, but the graphic novel claims them to be Violet Carsons, another connection to the letter "V". Violet Carson [1898-1983] was a British actress most famous for playing the role of Ena Sharples in the soap opera "Coronation Street". There really is a Violet Carson rose, created in 1963/'64 and named after the actress. It's hard to tell through the latex gloves whether or not the hands are scarred, but it is supposed to be V shaving her head; he just used makeup to disguise his hands. In reality, however, since they would only be able to shave Portman's head once, they had to get the shot in one take; therefore, they had one of the hair dressers do it. The person actually shaving Evey's head is Jeremy Woodhead (hair designer/stylist) for the film. No, V is a master of disguise and he's able to disguise his voicewell. In some shots, the "interrogator" moves briefly into the light and you can actually see that it is Hugo Weaving. In the dialogue where he tells Evey that all the men want is one piece of information and subsequently that she is free, it is clearly Hugo Weaving. The graphic novel explains that V wore masks to look like different people in the shadows. No digital effects were involved. The dominoes are corporeal props, and the effect is largely physically unmanipulated. Weijers Domino Productions proposed and designed the pattern including the falling sequenceswellthe coloring effects. It took 4 professional domino assemblers 200 hours to set up 22,000 tiles. Each tile is 1⅞″ tall by ⅞″ wide and ¼″ thick (4.8 cm × 2.2 cm × 0.6 cm). According to Cinefex #106, the domino scene involved only minor finessing, suchslightly extending the photography in the top shot (leaving the dominoes themselves untouched), and a simple splitscreen effect in the final shot, when the dominoes come to rest in perfect symmetry with one domino still standing. The man visible in the mirror is Inspector Finch. This is the most controversial point in the interpretation of the movie, and the comments below show very different points of view. It contains the secret of the question, "Who is he?", and you will get very different answers depending on whether you take it for a return of the dead or an image for the film audience of the many people who make up V that is not "real" in Evey's and Finch's reality—they could not walk out and meet Valerie etc. The plain reading is that they were dead before but alive and real at the end. They are those he promised to vindicate in the V-monologue and the vigilant, that is, those who wait at midnight. In this reading, the death of V has raised the dead; consistent with a good deal of messianic images and the Paschal tone of the final scene. If so, it's grounded in a Gnostic or Arian Christology. The "new world" is not shown, but is more than a political change. Alternatively, they aren't there physically and it's not a film blooper. They're there in spirit, carried in the hearts and minds of those who really do stand there. It's also notable that this is the only scene in the film (apart from the flashbacks) where any black people are seen. The graphic novel was more explicit about the fact that the Norsefire party had performed extensive racial cleansing in England, whereas the film merely hinted at it, focusing more on the persecution of homosexuals.<br/><br/>This is a physical representation of one of V's guiding principles: that you can't kill an idea; each of them represents part of the idea of freedom and self-expression. An idea, literally, is a form or archetype—so this is physically shown in the people's being antitypes of V. The obvious symbolism here, coupled with that present from the beginning of the movie with regards to a Guy Fawkes comparison and the constant mention of "ideas" suggests that it was an intentionally symbolic scene. This "idea" being the most important element of the movie, it makes sense that it would be steadily expanded upon and culminate in its most visceral representation during the movie's climactic final scene. V leads into it himself, during Creedy's death, by suggesting that he is still alive due to the fact that he is not just a man: "Beneath this mask there is more than just flesh… Beneath this mask, there is an idea," despite the fact that we have alternative and deliberately presented reasonsto why he is alive, if only briefly. With the explosion of the Parliament building, the "idea" culminates in the visual depiction of various individuals who fought for this idea—people we know to already be dead. The people are still dead, but the idea is alive, the idea has triumphed. This scene can also be interpreted to illustrate what Evey said to Inspector Finch at the finale: "He [V] was Edmond Dantés [the hero of The Count of Monte Cristo]… and he was my father. And my mother… my brother… my friend. He was you… and me. He was all of us, " meaning that V did it all for them (Gordon, the little girl with glasses, Evey's parents, etc). In this sense, V symbolized the victims, both living and dead, of the government's atrocities, especially those who had questioned or fought against the oppression of the government.<br/><br/>The most literal explanation would be that none of them actually did die; we never see any of these characters die on-screen. Gordon is black-bagged, the girl is only shot once, and the two lesbians are killed/black-bagged in a possibly subjective flashback. However, this explanation stretches plausibility for a number of reasons: While we never see Gordon die, he is arrested and beaten, and it seems highly unlikely he would have simply been released, in light of his collection of forbidden itemswellhis mockery of Sutler. We do see Valerie's body in a mass grave in an earlier flashback, one not based on the contents of her letter, and she and Ruth appear in the crowd without having aged at all in the twenty years since their arrest. Finally, we would also have to believe that the parents of a child suffering a gunshot wound to the chest would take her out of the hospital and involve her in a potentially violent conflict with armed soldiers. Moreover, judging by the view on the little girl's body right after she is shot (immobility, non-living eyes), it's very fair to assume she is dead. While the girl did not die (and was not shot) in the graphic novel, Ruth, Valerie, and Gordon definitely did. An alternative literal explanation would be that the people in the crowd are lookalikes of the dead people (signifying how much human beings are alike), and that the proximity among the relevant/familiar faces is only an amazing coincidence.<br/><br/>This is a theme along the lines of, "an idea never dies." For instance, from Evey's first lines: …We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still change the world. I've witnessed first hand the power of ideas, I've seen people kill in the name of them, and die defending them… but you cannot kiss an idea, cannot touch it, or hold it… ideas do not bleed, they do not feel pain, they do not love… And it is not an idea that I miss, it is a man… A man that made me remember the Fifth of November. A man that I will never forget. And then the scene with Creedy emptying his pistol trying to kill V : "Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy, and ideas are bulletproof." By showing the people that have been slain, it shows that their idea, the idea, lives on. It's the finale of the 1812 Overture by Pyotr Ilyich Tchaikovsky. It is a programmatic piece celebrating the victory of Russia over Napoleon, and the big theme is the old Russian anthem: "God Save the Czar". "Yakety Sax" by Boots Randolph. Also regularly used in the old British comedy series The Benny Hill Show. There are several songs that play during the end credits. In order, they are (1) "Street Fighting Man" by the Rolling Stones, (2) "BKAB" by Ethan Stoller [with excerpts from Malcolm X and Gloria Steinem], and (3) "Out of Sight" by Spiritualized. The remainder is original score from the film composed by Dario Marianelli. The song most folks seem to be interested in is "BKAB" by Ethan Stoller. For more information, please see his Q&A. Specifically, it is a bit of both the 7th and 8th tracks from the sound track.
Khhotte Sikkay download movie freeA Race Against Time: The Sharla Butler Story in hindi movie downloadBetween Worlds full movie in hindi 1080p downloadDiamond full movie in hindi free download hd 1080ptamil movie dubbed in hindi free download It's Just a GunEpisode 2.26 full movie kickass torrentRevenge full movie with english subtitles online downloadRide 'em, Cowgirl malayalam full movie free downloadTotal Recall full movie in hindi 1080p downloadSilks and Saddles movie mp4 download